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Review
"Kaplan challenges the assessment that the view from above must always entail power and control, though that’s often the purpose of this perspective. . . . As Kaplan shows, the view from above can be appropriated by artists and activists to challenge military claims and call attention to the suffering on the ground. She herself takes a view from higher above to critique drone warfare." (Jason Pearl Public Books 2018-04-25)"[A] fascinating history which [Kaplan] illustrates with well-chosen images sprinkled throughout the text. She shows that while the aerial perspective is far from new, contemporary viewers almost always find it fresh and consider the view from the heavens to be particularly revealing." (Neta C. Crawford H-Diplo, H-Net Reviews 2018-05-22)"An intelligent, engaging tour-de-force bringing into conversation with one another a variety of different media, images and texts, and persuading the readers through its thoughtful reconstruction and deconstruction of historical instances of all-encompassing vision to learn something even about the unconscious ways they may view the world themselves." (Laleh Khalili The New Americanist 2018-01-01)"Caren Kaplan’s brilliant new Aerial Aftermaths is full of quotable material . . . The author is clear that she wants to interrogate the kind of thinking that makes for grand narratives. And we are better for it. Kaplan’s deconstruction of such narratives is necessarily interdisciplinary, as she impressively reads across a host of literatures in geography, history, American studies and technology/media studies, but it is especially noteworthy for bringing art historians and critics into the fold. She nimbly reads images against the grain, finding the gaps and absences and filling them with historical and critical insight." (Timothy Barney Imago Mundi 2018-11-28)"Kaplan’s erudition and deep thought emerge from every page, and her prose is as purposeful and potent as one would expect from a Duke monograph. Aerial Aftermaths is a powerful, timely and elegantly crafted book that shrewdly subverts the optics of war." (Peter Hobbins Cultural Studies Review 2018-11-28)"Kaplan troubles both the conventional wisdom that vision from above results in the immediately legible and its opposite: that vision from above evacuates the possibility of what we can see. She compels her reader to consider the violence 'always already inherent in both desires.'" (Jennifer Kelly Radical History Review 2019-01-01)"A historically astute account of becoming-aerial, Kaplan’s text is a valuable, careful and nuanced contribution to a wider collection of aerially attentive interventions." (Anna Jackman Postcolonial Studies 2019-01-20)
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Review
"Caren Kaplan's Aerial Aftermaths is a brilliant and wide-ranging examination of aerial ways of seeing and the history of the technologies employed when it comes to representing that which can be observed from on high. From the exploits of early aeronauts, military mapping, and what is seen and sensed through panoramic paintings to aerial surveying as a means of colonial governance and more, Kaplan's absorbing analysis is unmatched in its depth. With far-reaching implications for the study of visual culture and, crucially, how we interrogate the violence of drones and remote warfare, Aerial Aftermaths is essential reading." (Simone Browne, author of Dark Matters: On the Surveillance of Blackness)“Caren Kaplan’s Aerial Aftermaths is the leading work in an important new crossover field between visual studies, science and technology studies, and critical theory of geography. Not since Anne Friedberg’s The Virtual Window have we seen such a richly researched and theorized media archaeology of technologies of visuality. This is the account of ‘objective’ seeing from above that critical technoscience studies readers have been waiting for since Donna Haraway held forth against this ocular ‘God trick’ almost thirty years ago. Kaplan’s book comes at a time when we urgently need the kind of historical insight she offers about the geopolitical and military technologics that inform the myriad contemporary global systems through which surveillance and control are enforced.” (Lisa Cartwright, coauthor of Practices of Looking: An Introduction to Visual Culture)
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Product details
Series: Next Wave: New Directions in Women's Studies
Paperback: 312 pages
Publisher: Duke University Press Books (January 5, 2018)
Language: English
ISBN-10: 9780822370178
ISBN-13: 978-0822370178
ASIN: 0822370174
Product Dimensions:
5.9 x 0.7 x 9 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
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Amazon Best Sellers Rank:
#1,190,040 in Books (See Top 100 in Books)
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